photographic works > Her Space

conical canopy
c-print
115x75cm
2015
Limbs
chromogenic print
75x75cm
2015
Forest Floor No. 3 - Rankin Inlet
cut c-print
50"x50"
2017
Forest Floor No. 2
cut chromogenic print / cprint reproducitons
48"x48"
2016
Forest Floor No. 1
cut chromogenic print / cprint reproducitons
125x125cm
2016
Forest Study No. 6: Redwoods
chromogenic print
75x60cm
2017
Forest Study No. 5: the point
chromogenic print
50x75cm
2017
Forest Study No 4
chromogenic print
75x60cm
2017
Leaf Study: B
chromogenic print
70x60cm
2017
Leaf Study: A
chromogenic print
70x60cm
2017
Mataoja Heritage Trail
cut chromogenic print / cprint reproducitons
125x180cm
2017
Reverse Forest Study No 6: Pine Mountain
chromogenic print
50x60cm
2017
pine wall
chromogenic print
60x60cm
2017
Two Pieces
chromogenic print
75x50cm
2017
lot 20
chromogenic print
35x50"
2015
Minimal Trunk
chromogenic print
2015
Golden Boy No.2
chromogenic print
60x75cm
2015
Ground Cover
chromogenic print
60x60cm
2015
Forest Floor No. 1 : reverese
chromogenic print
90x90cm
2017
Reverse Forest Study No 4: Lone Ash
chromogenic print
75x65cm
2017
Forest Study No 2 : Lone Ash
chromogenic print
75x75cm
2017
Forest Floor No. 2: reverse
chromogenic print
90x90cm
2015
lone maple
c-print
75x50cm
2015
Reverse Forest Study No 5: Lone Maple
chromogenic print
75x50cm
2017
Forest Floor No 3: reverse
c-print
90x90cm
2017
Branch & Light: A
chromogenic print
60x75cm
2017
Branches & Light : B
chromogenic print
60x75cm
2017
Bow River-side
chromogenic print
2017
Mataoja Detail 2
chromogenic print
2017
Banff Poplars
chromogenic print
2017
Leaf Patterns
chromogenic print
2017
Redwoods Reversed
chromogenic print
2017
Sointula Art Shed
chromogenic print
2017
The Point Reversed
chromogenic print
2017
Interlaced Leaves
chromogenic print
2017
Breezy Corners
chromogenic print
2017

Utilizing my original photographic prints, this body of work explores the process of image making and the tactile nature of printed documents. Using large scale prints as the raw material for experimentation, these photo-interventions are arranged into new compositions to create works both serene and bewilderingly intertwined.

Thematically I have always been fascinated by the wilderness and natural landscape, and am driven to experiment with the physicality of printed materials as a means to observe and interpret my everyday encounters with my surroundings. The contour of forms and intricateness of hand cut details reflect the construction of hybrid spaces while investigating the way imagery can straddle the line between documentation and fabrication.

Through this project I have been exploring how colour, shadow and line articulate space while studying the way the sculptural properties of the cut-outs contribute to fabricating a sense of depth. Often these photographs become objects and are re-photographed and finished as large-scale chromogenic prints and thus become flattened into a two dimensional plane while freezing the shape, depth and subtlety of the photographic objects into a still and pure world.

I have been working diligently on this project since January 2015 towards a solo exhibition in Germany in May of 2017.